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Nina Paine

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JOURNAL

FINN

March 11, 2023

I’m not long home from a painting trip to New Zealand with John Lovett, an artist whose work I have admired for decades (in fact since 1991, when my mum gave me one of his paintings). No doubt I’ll talk more about that trip over coming months. But since my return I’ve had a couple of good bits of painting news. First, the painting I submitted in this year’s Biblio Art Prize, at Blarney Books & Art in Victoria’s Port Fairy, had sold. That’s Finn, above, and my thanks go to whoever liked him enough to take him home with them! He was inspired by Charlotte Wood’s book, ‘The Weekend’.

And yesterday I learned that I’ve made the finalists in the Artists of Mosman: 2088 exhibition, with a miniature I did from Central Park in New York. It’s a long time since I was there, but as always it’s wonderful revisiting these places, and the memories they hold, when I pull out my photo albums to create new paintings. I had painted this for the exhibition I held last year at the Village Kitchen in Kurrajong - ‘From Parkes to Paris’.

At the moment, my paintings are ready to go to the first of Ku-ring-gai Art Society’s 2023 exhibitions, which opens on Monday and runs for two weeks, and then there’ll be the delivery of the pieces I’m submitting in this year’s Sydney Royal Easter Show. But there’s plenty more. Read on …

 On now, or coming soon:

‘Earth unframed’ at Belconnen Arts Centre, 118 Emu Bank, Belconnen, ACT, to Sunday 26 March

Ku-ring-gai Art Society Autumn Exhibition at The Gallery, St Ives Shopping Village, NSW, from Monday 13 to Sunday 26 March

Artists of Mosman: 2088 at Mosman Art Gallery, 1 Art Gallery Way, Mosman, NSW, from Friday 17 March to Sunday 23 April

‘Embrace’ at Gallery Lane Cove, 164 Longueville Road, Lane Cove, NSW, from Wednesday 5 to Saturday 29 April

Sydney Royal Easter Show, Homebush NSW, from Thursday 6 to Monday 17 April

Wingecarribee Prize for Landscape Art at the Bowral Art Gallery, 1 Short St, Bowral, NSW, from Saturday 8 to Sunday 23 April       

Anderson Art Award at The Gallery, 81 Marine Drive, Tea Gardens, NSW, from Friday 14 to Sunday 30 April    

‘The Cottage’, 10 Dangar Street, Brooklyn, NSW, Saturday 27 May to Sunday 2 July

Until next month.

JOYFUL JANUARY

February 4, 2023

‘… art has seven functions: to help us remember the good; to give us hope; to remind us that sadness is part of existence; to rebalance us; to help us understand ourselves; to connect us to the experiences of others and to look at mundane life in new ways.’

So said philosophers Alain de Botton and John Armstrong in their book ‘Art as Therapy’. Or so it was quoted by Jean Flynn in an article she wrote about art and decluttering. Flynn, a teacher of art history at TAFE, said she would never consider getting rid of any art when she’s decluttering because it all sparks joy. And I’d have to say, that’s enough for me!

I’ve had a particularly joyful January, too! Usually (by design) a pretty quiet month for me, this year it’s been full and fantastic, thanks largely to catch-ups with friends and family, preparing for the year ahead with a variety of art events, and a few wonderful and memorable visits to the theatre. Admittedly the first was towards the end of last year, but ‘RBG: Of Many, One’ (the story of Ruth Bader Ginsburg, played brilliantly by Heather Mitchell), was extraordinary – she was extraordinary, not least of all because she was the sole actor for the entire performance.

Next, ‘Amadeus’ – wow! Welsh actor Michael Sheen (who played Salieri) and Rahel Romahn (Mozart) were, like Mitchell in RBG, better than I could have imagined, and the costumes, exquisitely beautiful. And then I saw ‘Room’. I don’t think I could have chosen three better theatrical events to go to over summer. Part of the Sydney Festival, ‘Room’ was wonderfully weird and I couldn’t begin to tell you what it was about because it made little sense at all. That said, it seemed to focus on a man – an architect – who was trying to design a room. Swiss performer James Thierrée (playing this architect) is the grandson of Charlie Chaplin, and great grandson of playwright Eugene O’Neill, so has performance in his blood. And he had a cast of incredibly talented people with him. He was mesmerising, and it was all great fun!

I also went on a three-hour cruise, which fortunately didn’t end up with us being shipwrecked on a desert island as it did for Gilligan all those decades ago! The Riverboat Postman delivers mail to those living on the Hawkesbury River, north of Sydney, who are unable to get regular mail deliveries, and it takes passengers as well as mail bags! The reason I went is because I will be exhibiting at ‘The Cottage’ in Brooklyn later in the year, and so it was an opportunity (read ‘excuse’) to see more of the area, take lots of photos and get inspired! I’m planning on painting another little ‘Postcards from …’ series – this one ‘Postcards from the Riverboat’ – and am just getting started on that now.

And it’s just been confirmed - I will also be exhibiting as part of an exhibition called ‘Embrace’ at Gallery Lane Cove in April. More to come on that next month.

As well …

Biblio Art Prize continues at Blarney Books & Art, 37 James Street, Port Fairy, Victoria, to the end of February

‘Earth unframed’ at Belconnen Arts Centre, 118 Emu Bank, Belconnen, ACT, from Friday 10 February to Sunday 26 March

Northern Beaches Rotary Art Show at Mona Vale Memorial Hall, Mona Vale, NSW, from Friday 24 to Sunday 26 February

Ku-ring-gai Art Society Autumn Exhibition at The Gallery, St Ives Shopping Village, NSW, from Monday 13 to Sunday 26 March

‘Embrace’ at Gallery Lane Cove, 164 longueville Road, Lane Cove, NSW, from Wednesday 5 to Saturday 29 April

Sydney Royal Easter Show, Homebush NSW, from Thursday 6 to Monday 17 April

Wingecarribee Prize for Landscape Art at the Bowral Art Gallery, 1 Short St, Bowral, NSW, from Saturday 8 to Sunday 23 April       

Anderson Art Award at The Gallery, 81 Marine Drive, Tea Gardens, NSW, from Friday 14 to Sunday 30 April     

‘The Cottage’, 10 Dangar Street, Brooklyn, NSW, Saturday 27 May to Sunday 2 July

Until next month.

ANOTHER NEW YEAR

January 8, 2023

Every new year I think the same thing – that January is such a strange month! Unique. It’s summer, school is out, Christmas has been and gone, New Year has been celebrated, we can even buy hot cross buns! People are enjoying holidays and so local streets are that much quieter (although with each passing week, more and more cars return to the roads as people start to return to work), and we realise the year is slipping away as fast as it always does. Probably faster!

I’ve been enjoying playing around here in my studio, most recently for a piece that is now on its way to Canberra for an exhibition at the Belconnen Arts Centre. ‘Earth unframed’ will be an exhibition of unframed works on paper, every one of them A3 in size. My entry is a patchwork of pieces with a common thread – whimsy.

I’m also gathering pieces together to submit in this year’s Easter Show (coming up in April) and, before then, the Northern Beaches Rotary Art Show, which last year was responsible for me reuniting with a girl I’d been at college with 40 years ago. Linda had bought one of my paintings and subsequently sent me an email, and we finally met again at the Greengate Hotel last month with a few others from the early 1980s. It was wonderful catching up with these old friends again, and the date has already been set to do it again!

As always there are plenty of opportunities ahead for me to show my work, so those details will unfold as the year does. Oh, I went to see Sydney’s newest gallery on New Year’s Day – Sydney Modern! Having not even known it was being built until I saw its opening on the news, I knew very little about it. But then I read a couple of articles in the paper, and heard a little more from my neighbours who had been in to see it. I really wasn’t sure what to expect, or whether I’d like it, but I loved it. The photo above is one of the interactive pieces of art that started as nothing but is growing by the day. In fact it has probably changed significantly since I added my clay ball to the tabletop, as the artist was going to plan its evolvement as it went along.

Completely unrelated, there are a couple of things I’ve been wondering (please email me if you can shed some light) …

Why do we say ‘double-U’ and not ‘double-V’ for W?

We hear about third world countries, and first world problems, but who are the second world countries?

Back to my art … On now, or coming soon:

Biblio Art Prize at Blarney Books & Art, 37 James Street, Port Fairy, Victoria, to the end of February

‘Earth unframed’ at Belconnen Arts Centre, 118 Emu Bank, Belconnen, ACT, from Friday 10 February to Sunday 26 March

Northern Beaches Rotary Art Show, Mona Vale Memorial Hall, Mona Vale, NSW, from Friday 24 to Sunday 26 February

Sydney Royal Easter Show, Homebush NSW, from Thursday 6 to Monday 17 April

Until next month.

COVID POSITIVE

December 11, 2022

I was reminded last week of one of the positive things to have come out of last year’s Covid lockdown. I know – it’s hard to imagine anything positive coming out of Covid or its lockdown, but I think if we look hard enough, there will always be something good to come out of any situation.

I’ve had my beautiful dog Izzi for over a year and a half, and was always really thankful to have had her during lockdown, largely because she was the reason I would go out a couple of times every day (once for a walk and once to the park so she could play). What I hadn’t thought more about were the people I used to see every morning at the dog park – people who, over those many months, I felt I’d got to know, just a little. I even realised one day as I was driving home from the park that I knew the names of many of these people, which in itself was really unusual because while many of us get to know the names of each other’s dogs, their owners’ names, not so much!

There were two people in particular I’d got to know during those mornings at the park, people I always hoped might be there when Izzi and I arrived. The first, Angie, was a lovely lady who, from our first meeting, I knew was someone I’d be enjoying many conversations with. Apart from (and more importantly than) the fact that she was a reminder of that beautiful Rolling Stones’ song ‘Angie’, ‘my’ Angie was totally okay with my over-enthusiastic puppy! (It’s hard to believe, but there are a few people in these dog parks who seem ill-prepared for such enthusiasm, or indeed for even being in a dog park, with dogs!) Angie was always there with her kelpie, Wilson, who, like all kelpies, was happy to chase a ball, bring it back, chase it again, bring it back … while Angie would recall stories of her time as a nurse in London back in the ‘Swinging ’60s’!

The other person I used to love seeing was a man by the name of Jim, who, when I first met him, was at the park with his Golden Retriever Gigi. Drawn to Golden Retrievers like they are to muddy puddles (more on that later), I had headed straight for them. That was when Jim told me that Gigi had just had a litter, and that he and his family had kept one of her pups. And although it was a little while before I met him, as he wasn’t yet old enough to be at the park socialising, I fell in love with Sunny, too, as soon as Jim brought him along.

That was our lockdown, which then became summer, and rain. So much rain …

Enough rain that my visits to the park came to a standstill earlier this year when those heavy and constant rains turned our favourite park into an enormous mud pit. The sodden, slushy ground was full of holes the various dogs had dug, and those holes were full of dirty water that turned to thick stinky mud – a magnet to some dogs, mine being one of them. After a few visits when I’d taken a white dog to the park and brought home a wet, smelly brown one, then having to wash her, clean the car, and myself, I decided the park would have to wait until it dried out. This took months.

By the time we returned, my lovely friend Angie had moved from Sydney to the Snowy Mountains with Wilson – a move I had known was coming, but I do miss her. Also, I had started going to the park mid-afternoons (something I avoid in the hotter months as it’s just too hot for the dogs). No surprise then that I wasn’t seeing Jim either (nor any of the others I’d got to know during lockdown). And I missed him and his two beautiful retrievers, too.

But last week, as Izzi and I walked through the gate one afternoon, I noticed a couple of Golden Retrievers on the other side of the park, and then heard the man with them calling out to me, ‘Is that you, Nina?’ Seeing Jim again after all these months (and seeing Sunny, now a fully grown Retriever and bigger than his mum) was fantastic. Jim’s welcome couldn’t have been warmer and our dogs had a great play together while we walked and talked, catching up on much of 2022. And it was Jim who was reflecting on those times when so many of us were meeting at the dog park, our one bit of escapism throughout a very difficult time in what is now part of our recent history.

Those mornings in the dog park with Izzi were, for me, the positive side of Sydney’s Covid lockdown, and I shall remember them – and in particular Angie and Jim and their wonderful dogs – fondly when so many other memories of that time remain so bleak.

But I can’t leave this entry without sharing at least some painting news! Another Open Studio weekend has now been and gone, and it didn’t rain! In fact it was a very welcome, beautifully sunny and warm weekend. My thanks to all those who came along not just to support us but also to purchase our artworks. 

One such visitor was the Member for Bradfield, Paul Fletcher (pictured above). Paul had chosen the image of one of my paintings for his Christmas card last year, when he was Minister for the Arts. At the time, I learned he often went kayaking at Bobbin Head, and it was one of my Bobbin Head miniatures he bought when he stopped by on the weekend.

And now showing, if you’re in Lithgow (NSW) or Port Fairy (Vic.) over coming weeks:

Christmas Art Fair at Gang Gang Gallery, 206 Main Street, Lithgow, NSW, from Thursday 24 November to Thursday 29 December.

Biblio Art Prize at Blarney Books & Art, 37 James Street, Port Fairy, Victoria, from Saturday 10 December to the end of February (but closed between Tuesday 20 and Thursday 29 December).

Here’s to a wonderful Christmas.

Until next month/year!

AUSTRALIA'S FAVOURITE TREE

November 15, 2022

Inspired by a short series the ABC aired some months ago – Australia’s Favourite Tree – I thought I’d tackle the subject myself. Painting trees has a tendency to do my head in, so although this is a lovely subject, it’s a challenging one for me. Australia’s overwhelming favourite turned out to be the River Red Gum, and for its extraordinary beauty I would have to agree, but for its quirkiness, the Boab is my pick! Then there’s the Ghost Gum, which, against the flawless blue skies of the Outback, is a stunner. And though not someone who has ever spent much time in snow country, the Snow Gum is another of my favourites for its glorious patterned trunk. I also love the soft dreamy colouring of the Salmon Gum, as well as the gorgeous Paperbark. Then there’s our beautiful Golden Wattle, the Illawarra Flame Tree, the Scribbly Bark, I could go on …

The weekend for my Open Studio is almost here again. Now in its fifth year, the studio will be almost over-flowing with a wonderful variety of exquisite artwork and jewellery, so come along, meet the artists and take advantage of this opportunity to buy your friends and relatives some original and unique pieces for Christmas.

Last week I received news that my painting, ‘Finn’, will be travelling interstate, to Blarney Books & Art down in Port Fairy, Victoria, as it has been accepted for the Biblio Art Prize. (Interestingly not the one Izzi helped me with!) Also heading out of Sydney are a couple of paintings I did from Megalong Valley. These will be going to the Gang Gang Gallery in Lithgow, for their Annual Christmas Art Fair. So if you’re heading out to the lovely Central West, or down to Victoria, and you’re near Lithgow or Port Fairy, stop in for a look.

Details of what to see, where and when:

Open Studio, Saturday 26 and Sunday 27 November.

Christmas Art Fair at Gang Gang Gallery, 206 Main Street, Lithgow, NSW, from Thursday 24 November to Thursday 29 December.

Biblio Art Prize at Blarney Books & Art, 37 James Street, Port Fairy, Victoria, from Saturday 10 December to the end of February (but closed between Tuesday 20 and Thursday 29 December).

Until next month.

FROM PARKES TO PARIS

October 6, 2022

It was a lovely, though overcast and drizzly, afternoon when my friend Jo and I went to Kurrajong to hang my exhibition, ‘From Parkes to Paris’, a couple of weeks ago. And it was a busy afternoon at The Village Kitchen, too; the lunch crowd was not entirely gone until about 2.30 and then, as Jo and I got to work, Shane and his team had to set up around us for an engagement party that night. But we did it! Huge thanks to Jo for her help, and of course Shane for the opportunity.

This weekend I’ll be delivering works for the Ku-ring-gai Art Society’s Spring Exhibition; I’ve also submitted entries for the Waverley 9 x 5 Landscape Prize, the Glenaeon Art Show and the Hunters Hill Art Exhibition – fingers crossed! Most fun was my entry for The Biblio Art Prize, as this year I was allocated ‘The Weekend’, by Charlotte Wood. The picture above shows my dog Izzi, putting the final touches on one of my submissions – ‘Damaged’. Finn, the canine character in the book, is a damaged dog. He’s old and crippled, dirty and smelly, arthritic and incapable, blind and deaf. But of course his owner loves him, largely because he’d been a gift from a very dear friend – a gift she believed had come from the heart. As the book comes to an end, however, the truth is painfully revealed.

Some unrelated-to-painting news – a couple of nights ago I made my first (and no doubt only) appearance as guest author at a Book Club! After the disruptions of Covid, the invitation extended to me by my friend (and glass artist) Karina Vallins, soon after ‘Sophie’s Sister’ had been published, finally eventuated. As someone who has always tried to avoid any kind of public speaking, I’ve come to realise that there’s one thing I would happily talk about for hours – my experience writing ‘Sophie’s Sister’. Writing it was such an unlikely and joyful thing, and the period long ago around the time I wrote the first few drafts was a time in my life that I will always remember as one of the happiest.

If you’d like to see some of my paintings, here’s where you’ll find them …

‘From Parkes to Paris’ (solo show) at The Village Kitchen, 83 Old Bells Line of Road, Kurrajong, NSW, to Friday 28 October

KAS Spring Exhibition, St Ives Village Shopping Centre, Monday 10 October to Sunday 23 October

ASMA’s ‘It’s all in the detail’ at the Manning Regional Art Gallery, 12 Macquarie St, Taree, NSW, to Saturday 15 October 

ASMA (Tas)’s ‘Little Gems’ at Rosny Schoolhouse Gallery, Lot 2 Rosny Hill Rd, Rosny Park, Tasmania, from Thursday 13 October to Sunday 6 November

And on the last weekend in November, my Open Studio.

Until next month.

BAD

September 10, 2022

It’s always fun creating a new series, and now, after many months painting and preparing for the opening of my next exhibition at The Village Kitchen later this month, I’m happy to direct you to the Gallery section here on my website to see that series, ‘From Parkes to Paris’. Of course I’d love it if you were able to visit Kurrajong in the beautiful Blue Mountains of NSW to see them there (and enjoy a lovely meal at the same time), but perhaps this is the next best thing if that’s not possible.

Over the past few weeks I’ve also been involved in a couple of new experiences. The first was Creatives Connect. This is the name of a small and newly formed social group of artists/designers – those of us who work largely on our own with our creative pursuits. Lisa Shepherd (a floral cyanotype artist who will be joining me later in the year for my annual Open Studio weekend) has got this up and running, and found an ideal venue for us to meet every couple of months – the idea being to support each other, build connections, share business tips and advice and generally create a feeling of belonging. Thank you, Lisa!

The other new experience was volunteering at the BAD Crime Writers’ Festival, which had a few surprises. First, the lady coordinating the volunteers (Ruth) was someone I’d worked with (though not closely) long ago. For someone like me who is very apprehensive about starting new things and meeting new people, a familiar face always helps!

I also learned that Pamela Hart (aka Pamela Freeman), who was my writing teacher a few years back, was one of the speakers at a session I would be working at; at another, the very entertaining Candice Fox.

Then Ruth put the word out that a few of the volunteers were published writers themselves, and asked if there were any others. The State Library of NSW, where the festival takes place, planned to set up a table with books written by the volunteers, alongside those of the many well-established authors who would be speaking over the few days of the festival – yes, ‘Sophie’s Sister’ was among them (as shown in the pic, above)!

And finally, after our briefing the previous week, we were taken to the Library’s new and lovely rooftop bar; it had such a nice atmosphere, and just enough light to determine whether the bottles on our table contained red, white or rose. It was a perfect way to end the night – chatting about books, writing and authors with fellow BAD volunteers!

But leaving that behind, if you want to know where you can see some of my artwork now or in coming weeks, read on …

HAS ‘Unmasked’, Wallarobba, 25 Edgeworth David Ave, Hornsby, NSW, to Sunday 18 September

ASMA’s ‘It’s all in the detail’ at the Manning Regional Art Gallery, 12 Macquarie St, Taree, NSW, to Saturday 15 October 

‘From Parkes to Paris’ (solo show) at The Village Kitchen, 83 Old Bells Line of Road, Kurrajong, NSW, Friday 23 September to Friday 28 October

KAS Spring Exhibition, St Ives Village Shopping Centre, Monday 10 October to Sunday 23 October

 ASMA (Tas)’s ‘Little Gems’ at Rosny Schoolhouse Gallery, Lot 2 Rosny Hill Rd, Rosny Park, Tasmania, from Thursday 13 October to Sunday 6 November

 Until next month.

APPARENTLY ...

August 8, 2022

I read a mind-boggling article recently, headed ‘Apparently, it’s a bit colder than they say’. It was in The Sun-Herald (17 July), written by Millie Muroi and Stuart Layt, and was all about those ‘feels like’ temperatures we’re offered on the nightly weather forecasts.

Here’s a little of that article:

“‘feels like’ is calculated using air temperature along with factors including wind and humidity. More specifically, despite its less than scientific sounding name, ‘feels like’ is derived from this equation:

AT = Ta + 0.33E - 0.7WS - 4

“In that equation ‘AT’ stands for ‘apparent temperature’ (the ‘feels like’ reading). ‘Ta’ is the ambient temperature reading, the baseline temperature measure. ‘E’ indicates a specific measure of humidity called ‘water vapour pressure’ which is multiplied by 0.33, and ‘WS’ is the current wind speed multiplied by 0.7.

“And then they take four off at the end for good measure.”

It continues:

“As for alternative ways to measure ‘feels like’, there is a BOM [Bureau of Meteorology]-approved equation that tries to account for the effect of the sun, and it’s understandably more complex:

AT = Ta + 0.348E - 0.70WS + 0.70Q / (WS+10) - 4.25

“All the values are the same as the more commonly used equation, with the addition of ‘Q’, which gives a figure for the impact of the sun by quantifying the net radiation absorbed per unit area of body surface.”

Now, I don’t know about you, but I’m all for making life as simple as it can be, and if they tell me it’s 22 degrees out there, and I have my doubts, I’m happy just to say ‘Geez, it feels colder.’

What has that got to do with painting? Nothing at all! So here’s my painting news …

Having sold seven of my 10 paintings in ‘Art in the Mountains’ last month (one of which is pictured above), owners Victor and Sharon Peralta have asked for more. That news made for a particularly feel-good drive home, and I’m looking forward very much to a return trip to Gallery ONE88 in Katoomba and the beautiful Blue Mountains later this month.

I also received an award (Runner-up in the water-based paintings category) at the recent Hornsby Art Society Members’ Exhibition, with my painting ‘Autumn Reflections’. That too was lovely news.  

And still the events keep coming:

‘Radiance’ at Gallery Lane Cove, NSW, from Tuesday 9 to Saturday 13 August

ASMA’s ‘It’s all in the detail’ at the Manning Regional Art Gallery, 12 Macquarie St, Taree, NSW, Friday 26 August to Saturday 15 October 

Lane Cove Art Awards, at Gallery Lane Cove, NSW, from Saturday 27 August to Saturday 10 September

‘From Parkes to Paris’ (solo show) at The Village Kitchen, 83 Old Bells Line of Road, Kurrajong, NSW, Friday 23 September – Friday 28 October

ASMA (Tas)’s ‘Little Gems’ at Rosny Schoolhouse Gallery, Lot 2 Rosny Hill Rd, Rosny Park, Tasmania, from Thursday 13 October to Sunday 6 November

Until next month.

ART IN THE MOUNTAINS

July 12, 2022

Last weekend I went to Katoomba, to attend the opening of ‘Art in the Mountains’ – an exhibition by a small group of members from the Combined Art Societies of Sydney (CASS). We were blessed with an unusually glorious day! I say that because the rains have returned and we’ve had so few glorious days – even sunny days – lately. It was especially exciting to find a ‘Curator’s Pick’ award below one of my paintings, and for that my thanks go to Victor Peralta, Director, Curatorial and Exhibitions Manager at Gallery ONE88 in Katoomba. Vic not only hosted the event but he also made everyone feel really welcome in both the gallery and the gallery’s café. (And he makes a wonderful pulled pork burger!)

Other exhibitions have now been and gone, but plenty more are on the horizon, details as follows.

Coming up …

CASS ‘Art in the Mountains’ at Gallery One88, 188 Katoomba Street, Katoomba, NSW, on now until Monday 25 July

HAS Members’ Exhibition at Wallarobba, 25 Edgeworth David Ave, Hornsby, NSW, on now until Sunday 17 July  

KAS Awards Exhibition at The Gallery, St Ives Shopping Village, NSW, Monday 18 – Sunday 31 July

‘From Parkes to Paris’ (solo show) at The Village Kitchen, 83 Old Bells Line of Road, Kurrajong, NSW, Friday 23 September – Friday 28 October

ASMA’s ‘It’s all in the detail’ at the Manning Regional Art Gallery, 12 Macquarie St, Taree, NSW, Friday 26 August to Saturday 15 October 

Until next month.

THE DISH

June 13, 2022

Many years ago, when visiting The Dish (more formally known as the CSIRO Parkes Observatory), I had cause to visit the ladies’ room, and found the following quote on the door of the cubicle I was in:

‘It’s estimated that the number of stars in the universe is greater than the number of grains of sand on all the beaches in the world! On a clear night, we can see the equivalent of a handful of sand.’

Definitely one of the most thought-provoking quotes I’ve ever read; certainly the most interesting I’ve encountered on the back of a toilet door; and now also something I often find myself marvelling about as I sit under the night sky at the end of each day with my dog.

Since visiting The Dish all those years ago (and of course seeing the wonderful Australian movie about the part it played in the moon landing back in 1969), I’d often thought I’d like to paint it, and so in revisiting the photos I’d taken while I was out there, I decided on the theme for the exhibition I will be showing later in the year in Kurrajong, at the foot of the beautiful Blue Mountains. ‘From Parkes to Paris’ (apart from just sounding nice!) will be a collection of watercolour paintings from places I’ve visited myself over many years – places between Parkes in the Central West of New South Wales and, travelling east, Paris in France.

So that’s what’s been keeping me busy as I try to stay warm through this icy-cold start to winter down here in Sydney. At least it’s not raining at the moment. Winter is definitely not my favourite season, but after all the rain we’ve had over the past six months or so, I’d have to say now that I’d sooner the cold than the wet.

Coming up …

Incognito Art Show: All artworks are now showing on the Incognito website. Each work will be on sale for $100 on Saturday 18 June at 2 Lacey Street in Surry Hills, Sydney from 8am until 630pm. Any works remaining at the end of Saturday will be on sale on Sunday 19 June from 8am

Lane Cove Art Society’s ‘artXtra!’, at Gallery Lane Cove (upper level), 164 Longueville Rd, Lane Cove, NSW, Thursday 16 June – Saturday 2 July

ASMA Annual Awards Exhibition, at the Ewart Gallery in Willoughby Arts Centre, 33 Laurel Street, Willoughby, NSW, Saturday 18 June – Sunday 3 July

CASS ‘Art in the Mountains’ at Gallery One88, 188 Katoomba Street, Katoomba, NSW, Thursday 7 July – Monday 25 July

KAS Awards Exhibition at The Gallery, St Ives Shopping Village, NSW, Monday 18 – Sunday 31 July

‘From Parkes to Paris’ (solo show) at The Village Kitchen, 83 Old Bells Line of Road, Kurrajong, NSW, Friday 23 September – Friday 28 October

Until next month.

BRUMBIES FIND NEW HOME

May 12, 2022

I know I’m not the only one in disbelief that it’s mid-May already. It seems that no sooner do the summer holidays come to an end here in Sydney than it’s almost the end of the financial year (and therefore tax time) again!

The Easter Show has been and gone, and I couldn’t have been happier when I learned that all five of the paintings I’d submitted had been sold. One of these was a miniature I’d called ‘Visiting Brumbies’ (pictured above). The brumbies in it – mother and child I assumed – were at our campsite with others from their mob on a trip to Central Australia. I know they’re controversial creatures, but there was something quite magnificent about seeing them so close, as curious about us as we were about them. My thanks to the person who bought this little one, and those who bought the other four.

Group show ‘Tender’ is currently on for just a few more days at the White Rhino Artspace in St Leonards, and my own show ‘Local Gems’ is also now showing at Marie-France in West Pymble. As well, I’m putting the final touches on my submissions for the National Awards Exhibition of the Australian Society of Miniature Art (ASMA), the Lane Cove Art Society’s artXtra! exhibition, ‘Art in the Mountains’ (CASS), and the Ku-ring-gai Art Society’s Annual Awards Exhibition. It really does feel like everything is happening again after the past couple of disrupted years.

Most of my painting time at the moment, however, is being spent on the collection of works I’m putting together for my show at The Village Kitchen later in the year. While I’m still a little undecided on what this collection might ultimately consist of, I’m working with the title ‘From Parkes to Paris’, so my brushes and I are travelling east, departing from the Central West of NSW, up and off the coast of Queensland, across to Hawaii, through mainland USA and perhaps Canada, and then landing in the French capital. It’s proving to be a fun journey, one I’m taking from the comfort of my studio and therefore avoiding all the dramas that so often go hand-in-hand with air travel (particularly post-Covid time in airports)!

Details of exhibitions mentioned above, and more:

‘Local Gems’ at Marie-France, Philip Mall, Kendall Street, West Pymble, NSW, until Tuesday 31 May

‘Tender’ at White Rhino Artspace, 61 Atchison Street (Level 1), St Leonards, NSW, until Saturday 14 May

Incognito Art Show, exact dates and venue to be confirmed, but will be mid-June

Lane Cove Art Society’s ‘artXtra!’, at Gallery Lane Cove (upper level), 164 Longueville Rd, Lane Cove, NSW, Thursday 16 June - Saturday 2 July

ASMA Annual Awards Exhibition at the Ewart Gallery in Willoughby Arts Centre, 33 Laurel Street, Willoughby, NSW, Saturday 18 June – Sunday 3 July

CASS ‘Art in the Mountains’ at Gallery One88, 188 Katoomba Street, Katoomba, NSW, Thursday 7 July – Monday 25 July

KAS Awards Exhibition, The Gallery, St Ives Shopping Village, NSW, Monday 18 – Sunday 31 July

Solo show at The Village Kitchen, 83 Old Bells Line of Road, Kurrajong, NSW, Friday 23 September – Friday 28 October

 Until next month. 

SHE’S AN ARTIST

April 13, 2022

It’s going on for three years since I put my working life in publishing behind me to focus solely on painting, but I still have trouble referring to myself as an ‘artist’. Yet others don’t. Last weekend I was out to dinner and twice heard my friends telling others (people I didn’t know) that ‘She’s an artist’. It wasn’t the first time. It’s interesting because I don’t recall once, in the 30+ years I was in publishing, hearing anyone voluntarily offer the detail that ‘She’s a proofreader’, or ‘She’s an editor’. On the one hand, there’s definitely a perception that the arts are that little bit exotic; on the other, I know that to refer to myself as an artist may be seen as pretentious. (How do I know that? Someone told me!) Perhaps that’s why I have a problem calling myself an artist – because I know people are likely to make assumptions – good or bad (it’s something we all do in our day-to-day lives) – and yet I know I’m the same person I was back when I worked in a different field, no more or less exotic (or pretentious!) than I am now. And I can assure you I’m very ordinary!

That aside, I’ve been busy painting in preparation for various art events that are coming up, first of which is ‘Local Gems’, a series of watercolour miniatures I’ve painted for my exhibition at Marie-France. This exhibition came about as a result of two things – an invitation to return to Marie-France where my series ‘Postcards from Paris’ was on show last December, as well as the need to come up with something to exhibit! For someone who is (generally speaking) very indecisive, that decision was easy, because not long before then I’d won the 2021 Member for Bradfield Art Prize with my painting ‘Mist over Bobbin Head’, and I knew I wanted to continue on that theme. This new series of little paintings from within Ku-ring-gai Chase National Park can be previewed on the ‘Gallery’ page of this website.

As well, I have some pieces exhibited and for sale at the Easter Show; I’ve submitted works for this year’s Incognito Art Show; and I will be taking part in ‘Tender’, a group exhibition at White Rhino Artspace, timed to coincide with Mothers’ Day. Most exciting, however, will come a little later in the year when I’ll be returning to The Village Kitchen in Kurrajong with a show all of my own; and I’ll also be taking part in ‘Art in the Mountains’ at Gallery One88 in Katoomba, which should finally be going ahead after plans were repeatedly thwarted in 2021. ‘Art in the Mountains’ is a CASS event, CASS being the Combined Art Societies of Sydney.

Details for now …

Sydney Royal Easter Show, Arts & Crafts Pavilion at Sydney Olympic Park, on now until Tuesday 19 April

‘Local Gems’ at Marie-France, Philip Mall, Kendall Street, West Pymble, NSW, from Tuesday 26 April - Tuesday 31 May

‘Tender’ at White Rhino Artspace, 61 Atchison Street (Level 1), St Leonards, NSW, Wednesday 4 – Saturday 14 May

Incognito Art Show, sometime mid-June, with exact dates and venue to be confirmed; keep an eye on their website (www.incognitoartshow.com)

Until next month.

WET THINGS

March 8, 2022

Following on from last month’s poetry theme, and given the relentless rain that has fallen (is still falling) in both NSW and Queensland these past couple of weeks, I’ve been thinking about a Dire Straits song that was always one of my favourites – Why Worry? The chorus goes like this:

Why worry?
There should be laughter after pain
There should be sunshine after rain
These things have always been the same
So why worry now?

When I was much younger, often reflecting on the unfairness of life, I would switch those lyrics around (and change ‘should’ to ‘will’): There will be pain after laughter; there will be rain after sunshine.

But all I’ve been singing to myself during this big wet has been that third line of the chorus: ‘There should [will] be sunshine after rain.’ Because there will be sunshine, sure as night follows day, and floods follow drought in this beautiful, often harsh country we call home.

Summer is over again for another year, and it was one that I’m sure saw as many wet days as clear and dry ones. If it wasn’t wet, it was humid – often both. But on some of those lovely days I was able to spend a little time in various parts of Ku-ring-gai Chase National Park, taking lots of photos to use as references for the series of paintings I’m currently working on – Local Gems. They’re going well, but the watercolour paper I’ve been using has remained damp with each painting I’ve finished, because all the rain has created so much dampness, in everything.

The painting above (Blue Doors) is one I had hanging above my piano for a few years. It’s always been a favourite (because apart from the five doors being such lovely subjects, the blues I was able to mix are just gorgeous). A while ago, however, I decided I could part with a few pieces I’ve held onto, and this was one of them. It was sold in the recent Northern Beaches Rotary Auction and Exhibition, and as a result, I had a surprise email from someone I’d been at teachers’ college with in the early 1980s! Linda had bought my painting, not realising it was me and mine, but wondering if it might have been. It was lovely hearing from her, and knowing that she now has my Blue Doors!

As well, a number of my paintings are still hanging at Savills in Lindfield, and will be there for another week or so before coming home again. I’ve also been getting entries organised for the Ku-ring-gai Art Society’s Autumn Exhibition, the Epping Arts Fair and Sydney’s Royal Easter Show (this year celebrating its 200th anniversary!). ASMA’s ‘It’s all in the detail’ exhibition is on in Armidale until the end of the month, and I’ll have work at Marie-France again from the end of April.

So on now, or coming up soon:

‘Chattels’ at Savills, 9 Lindfield Ave, Lindfield, NSW (opposite Lindfield Station)

KAS Autumn exhibition, at the Gallery in the St Ives Village Shopping Centre from Monday 14 to Sunday 27 March

ASMA ‘It’s all in the detail’, at the New England Regional Art Museum, Armidale, NSW until Sunday 27 March

Epping Arts Fair, Edmund Barton Centre at Epping Boys High School, 213 Vimiera Rd, Eastwood, NSW, on Saturday 2 and Sunday 3 April.

Sydney Royal Easter Show, Homebush, NSW, from Friday 8 to Tuesday 19 April

‘Local Gems’ at Marie-France, Philip Mall, Kendall Street, West Pymble, NSW from Tuesday 26 April - Tuesday 31 May

Until next month.

WILD THINGS

February 5, 2022

The Peace of Wild Things (Wendell Berry)

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

A friend sent me that poem, many years ago. I loved it then and that love has survived the years, so much so that last year, when those who were to be attending a show at the Ensemble Theatre were invited to submit a favourite short poem, this was my submission.

The show was ‘John Bell: And Another Thing’, and in it John was going to read a selection of his own favourite poems and prose. In addition, he was going to select and read a few of those that had been submitted.

The show didn’t eventuate last year – Covid put a stop to that – but I was at the Ensemble last weekend and was so moved when John Bell started talking about the poem I’d sent him. Finding me in the audience, he then read ‘The Peace of Wild Things’, so beautifully. When I didn’t think it could get any better, he read it a second time. I emailed him afterwards to thank him, to which he replied: ‘It was such a joy to discover and share this lovely poem……Thank YOU!’

Now, I know this has nothing to do with my painting, but on the home page of my website is a quote – another one I love and one that serves me as a reminder to look for something special in every day. That’s not always easy because most days are pretty ordinary – that’s just life. Some days are worse. But some days are really special and the day I was at the Ensemble, listening to the legendary John Bell reading ‘The Peace of Wild Things’, was one of them, and I thank him for that.  

Back to my art! I was at Savills in Lindfield last week, hanging a number of my paintings in their office space, so if you’re in the area, please stop in and have a look. (Details on my ‘Coming up’ page.) They’ll be up all February, maybe a little longer. The picture above shows their reception area with one of my paintings - one my mum always loved. It’s called ‘Summer in the Snowys’.

In addition, the Ku-ring-gai Art Society’s Autumn exhibition is coming up next month, so I’m getting a few pieces ready for that. ‘It’s all in the detail’, an exhibition of miniature artworks by members of the Australian Society of Miniature Art (of which I am one), will be opening in Armidale in a few days (before it moves to Taree later in the year). I’ve also submitted some work for the Northern Beaches’ Rotary Art Exhibition and Auction, also later this month. So …

Coming up

‘Chattels’, at Savills Real Estate, 9 Lindfield Ave, Lindfield, NSW (opposite Lindfield Station), throughout February

ASMA ‘It’s all in the detail’, at the New England Regional Art Museum, Armidale, NSW from Friday 11 February to Sunday 27 March

Rotary Art Exhibition and Auction, at the Mona Vale Memorial Hall, 1 Park St, Mona Vale, NSW from Friday 25 to Sunday 27 February

KAS Autumn exhibition, at the Gallery in the St Ives Village Shopping Centre from Monday 14 to Sunday 27 March

Sydney Royal Easter Show, Homebush, NSW, from Friday 8 to Tuesday 19 April

Until next month.

LOCAL GEMS

January 3, 2022

My thanks to Paula and Dominique at Marie-France for hanging my exhibition, ‘Postcards from Paris’, in their salon in the lead-up to Christmas, and to all those who bought paintings in that time. I don’t think I’ll ever lose that feeling of wonder when I learn that someone has liked something I’ve created enough to spend their money on it!

And so of course when Paula asked if I’d exhibit there again in 2022, I didn’t hesitate to say ‘Yes’! My thoughts immediately turned to what I might paint for this next series, but it didn’t take me long to decide on ‘local gems’ (like Akuna Bay, above), having won last year’s ‘Member for Bradfield Art Prize’ with my painting, ‘Mist over Bobbin Head’.

Speaking of which, just before Christmas I accepted an invitation to attend an event (Community drinks) at the office of the Member for Bradfield and Minister for the Arts, Paul Fletcher – a direct result of having won that prize. It was a really interesting evening with speakers from StreetWorks as well as the Sikh community – both organisations run by teams of volunteers who provide wonderful and much-needed support to so many during difficult times, never more evident than during lock-down this past year.

Something I didn’t accept was an invitation to teach! While at Marie-France just before Christmas, the head teacher of Creative and Performing Arts at Mackellar Girls on Sydney’s Northern Beaches emailed with the following …

Hi Nina,

I’m currently admiring your watercolours at Marie-France Group in West Pymble and wondering if you might be interested in running a watercolour workshop for some of our Visual Arts students on Friday 18th February at Mackellar Girls Campus, Manly Vale.

We offer a Visual Arts enrichment program for students in years 7-10 and I am looking at an architecture focus for 2022. We are booked for a guided tour of Chippendale/Ultimo on Thursday 17th with the view to collecting photographic material from which to create work back at school on the Friday. Depending on the total number of students (usually around 50) I would divide them up into smaller groups.

Please let me know if this sounds like something you might be interested in.

Not only surprised but enormously flattered, I explained to Katie that while I’d love to be a student for their day out around Ultimo and Chippendale, having not done any teaching before I would feel completely out of my depth were I to accept her offer and teach her girls. They deserve someone who knows what they’re doing!

Since I last wrote, however, I have been able to reschedule my exhibition at Savills, and am pleased to say it will be happening next month. I hope you might stop in for a look if you’re in the area. Savills is right across the road from Lindfield Station on Sydney’s north shore, and just along from the very popular Goodfields Eatery, so if you’re at one of these venues, why not go to both!

It’s been an interesting few weeks for me in one way and another, and I’d have to say a lovely end to a year that was one most of us would rather forget.

Until next month.

WINDING DOWN

December 15, 2021

Another year almost over, and perhaps the less said about 2021 the better! Let’s just hope for a smoother road in 2022.

Our Open Studio last month went really well for us all, despite the less than ideal weather (again!). To be expected, I guess, as November is typically stormy and grey. (The upside to that is that the jacaranda trees are at their best in November here in Sydney, and I’ve always thought they look especially striking against dark and threatening skies.) Thanks to everyone who came along and made it the success (and fun) it was.

My exhibition ‘Postcards from Paris’ is currently hanging in Marie-France, in West Pymble, and the Combined Art Societies of Sydney’s (CASS) Online Christmas Sale is also on now, until 9 January 2022. I’ve just submitted a few miniatures for the Australian Society of Miniature Art’s ‘It’s all in the detail’ exhibition, which will be visiting the New England Regional Art Museum (in Armidale, NSW) in February and March, and hot on the heels of that will be the Sydney Royal Easter Show.

So there will, as always, be plenty to work towards. Everything crossed we won’t have the large number of postponements and cancellations next year that we’ve endured in 2021.

Happy Christmas, stay well and ho ho ho!!

Until next month.

DOORS OPEN

November 7, 2021

All is looking good for our Open Studio to proceed in just a few weeks. I hope you’ll be able to come along, as there will be a really lovely range of work here for you to see and buy, and by then Christmas will be only four weeks away!

Apart from my watercolour paintings and greeting cards (and copies of my book, Sophie’s Sister), there will be beautiful ceramic pieces by Romanda Newman, lovely decorative and wearable glass art by Karina Vallins, and a gorgeous little children’s book written and illustrated by contemporary artist Dong-Shin Starzacher. See my ‘Coming up’ page, or email me for any additional information.

Also on my ‘Coming up’ page you’ll see new dates for my ‘Postcards from Paris’ exhibition, at Marie-France in West Pymble - yay! It’s finally happening - opening on Tuesday 30 November and closing on Christmas Eve.

As well as the open studio and ‘Postcards from Paris’, I will be contributing to a couple of Christmas sales, happening soon …

  • The Combined Art Societies of Sydney’s (CASS) Online Christmas Sale, from 6 December 2021 to 9 January 2022  ( https://combinedartsocieties.com/ ) and

  • Hornsby Art Society’s Christmas Exhibition/Sale, 10am–4pm from Tuesday 14 to Saturday 18 December 2021 ( https://hornsbyartsociety.com.au/event/christmas-exhibition/ )

I’ll leave you with one of my favourite quotes, one I’ve been reminded of several times this year (which is another story entirely): ‘The more people I meet, the more I love my dog.’ My little girl is growing, but as you can see, she’s as gorgeous as she was the day she came to live with me.

Until next month.

POSTCARD FROM SYDNEY

November 7, 2021

{Note: the date above should be October 4, 2021]

When I wrote last month there were two events I’d thought would proceed – Art in the Mountains and the KAS Spring Exhibition – but despite every effort from those behind the scenes, and a postponement or two (or three), both have now been cancelled. Uncertainty makes planning anything difficult, and this time the difficulties have proven insurmountable.

So there isn’t too much news this month. We’re all counting down the days until we’re allowed out again, hoping lockdown will be lifted for most of us here in Sydney next week.

I do, however, have some positive news. I’ve added a new page to my gallery – Postcards from Lock-down. So far I’ve travelled around Australia and to the US. Keep an eye out for more as my travels continue, even beyond lockdown!

And plans are well underway for this year’s Open Studio. Yep, all going well I’ll be opening up my studio on the last weekend in November for what has now become an annual event. This year I’ll be joined by three others – glass artist Karina Vallins, ceramic artist Romanda Newman and contemporary artist Dong-Shin Starzacher. We had a great turnout and fabulous weekend last year, despite the weather, so hope you might come along and help make it another fun weekend. It will be a great opportunity not only to get out and see some art, but you might even like to start your Christmas shopping!

Until next month.

Paine, Nina, Mist over Bobbin Head.jpg

MIST OVER BOBBIN HEAD

September 8, 2021

It’s day 75 of lock-down here in Sydney, but there is an end in sight, and we’ve been enjoying some really beautiful weather. I’ve met a lovely lady at one of the dog parks I go to with Izzi, and lost count of the number of days we’ve looked up at the cloudless blue sky, felt the sun on our backs and said how lucky we are to be where we are, with lock-down allowing us these opportunities. Sadly it’s not such a positive picture for many people, but we both consider ourselves very fortunate.

On top of that, I’ve had some exciting news. My painting (‘Mist over Bobbin Head’, pictured above) has won this year’s Member for Bradfield Art Prize. This prize has a few parts, one of which will be the reproduction of my painting on Paul Fletcher’s 2021 Christmas card. As well as being the Member for Bradfield, Paul is the Federal Minister for Communications, Urban Infrastructure, Cities and the Arts. After all the postponed and cancelled shows in recent months, this was unexpected and uplifting news.

As for all those postponements and cancellations, my show, ‘Chattels’, hasn’t been able to proceed this month but, like ‘Postcards from Paris’ at Marie-France, I hope we’ll be rescheduling once lock-down is over and life returns to some revised version of normal.

I’ve also postponed the weekend for my Open Studio – it was too much of an uncertainty to proceed with it on that weekend early in October, so it’s now planned for late November, with all fingers crossed.

In the meantime, there are a few online shows I have work in, if you’d like to take a look …

‘Small Packages’ – an exhibition held by Sherbrooke Art Gallery in Victoria (until 24 September)

‘Feathers and Dreams’ – hosted by Diversarty Studio and Gallery in Sydney to raise funds for ‘Dreams2Live4’, supporting adults with metastatic cancer across Australia (until 30 September)

Hornsby Art Society’s Members’ Exhibition (12–26 September)

Other shows coming soon (all going well) …

Combined Art Societies of Sydney’s ‘Art in the Mountains’, Thursday 30th September to Tuesday 12th October, Gallery One88, 188 Katoomba Street, Katoomba

Ku-ring-gai Art Society’s Annual Awards Exhibition – now to be combined with the society’s annual Spring exhibition, Monday 11th October to Sunday 24th October, St Ives Shopping Village

I’ve been working on a new series – a series of cityscapes I’m calling ‘Postcards from Lockdown’. They’re very different to anything I’ve done before in that they’re not realistic at all. Instead, they’re whimsical. Light-hearted and fun. So far there are eight of them – one for each of Australia’s capital cities – but I plan to continue around the world, with not only cityscapes but landscapes as well. Coming to my Gallery page soon!

Until next month.

_20210805_184712 (2).JPG

THE LITTLE THINGS ...

August 6, 2021

… Like reflections in a puddle! And a hot shower. At the moment, in the midst of lock-down and with these cold winter months seeming to have been with us for much longer than they should have been, one part of every day that I really love is stepping into the shower and feeling that piping hot water work its magic through every part of my body. It’s bliss!

Today is Day 42 of Sydney’s lock-down and I know the end can’t come soon enough for everyone, but at the same time I continue to feel very fortunate that its impact on me has been minimal. Being able to lose myself in my painting is wonderful, as is having a puppy in my life! We head out each morning to a park where she’s able to run around and play with other dogs, and in the afternoons I take her out on her lead. Both of us are very content. Add to that the new growth I’m starting to see on some of the plants in my garden, and the promise of spring around the corner is incredibly uplifting.

Izzi and I bumped into an old friend at the dog park a few weeks ago. Sam and I met through our dogs – she’d started up a dog-walking business many years ago and we used to see each other a lot at the dog park. Sam has since bought a property and established an airbnb at Narrawallee, on the beautiful south coast of New South Wales, and was telling me a little about it the other day. ‘Toastie Toes’ is a gorgeous seaside (and dog-friendly) escape that has been the perfect getaway for so many people who have left glowing reviews about the place itself as well as their host, Sam. So if you’re looking for a break once lock-down is over (and who won’t be?!), this might be the perfect place for you, your family and friends – both two-legged and four.

On a more art-related note, many of those events I was to be taking part in (the ones I wrote about a couple of months ago) look as though they will be emerging in some form or another post-lock-down. The fantastic people who work behind the scenes have been doing all they can to make them happen just as soon as it’s possible, and so I have some new dates (see below). Of course these could well change again if lock-down is extended beyond the end of this month, so if you have any questions about anything, just drop me an email ( manina@bigpond.com ).

One that should be going ahead as planned (as long as lock-down doesn’t extend into September) is ‘Chattels’ – a collection of my work that will be hanging in the rooms at Savills Real Estate in Lindfield for the month, so pop in and have a look if you’re in the area. You don’t have to be buying or selling property to go in!

Coming up (all going well) …

‘Chattels’, Wednesday 1st to Thursday 30th September, Savills Real Estate, 9 Lindfield Avenue, Lindfield (right across the road from Lindfield Station)

‘Small Packages’, Saturday 21st August to Friday 24th September, Sherbrooke Art Gallery in Belgrave, Victoria

Hornsby Art Society’s Members’ Exhibition, Sunday 12th September to Sunday 26th September, Wallarobba Arts and Cultural Centre, Edgeworth David Avenue, Hornsby

Combined Art Societies of Sydney’s ‘Art in the Mountains’, Thursday 30th September to Tuesday 12th October, Gallery One88, 188 Katoomba Street, Katoomba

Ku-ring-gai Art Society’s Annual Awards Exhibition – now to be combined with the society’s annual Spring exhibition, Monday 11th October to Sunday 24th October, St Ives Shopping Village

‘Postcards from Paris’ – new dates are still to be confirmed

Until next month.

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